More Artist Bell Ringers & Sketchbook Use

A week or so ago, I posted about how I am using sketchbooks this year in my Studio class.  I am going to add to that article by posting the latest things we've added to our sketchbooks IN CLASS via bell ringers and classwork.

First off, students did have a sketchbook assignment over the weekend a few weeks ago...but only because it pertained to what they were doing in class.  Students were completing the zentangled master's project (I will be sharing the completed ones from this year in the next few days), so I had them practice zentangles by zentangling a random object.  (Mine is the camera!)

Along with the zentangle project, students had to create a page in their sketchbook to doodle, practice and make notes about their main project.  I printed out a copy of each person's original painting.  Some students decided to grid it, so I had them tape transparency paper over the original.  I encouraged students to try out different zentangles on that page before putting them on their final drawing.

Eventually, I want to start photographing student progress periodically throughout the project and have students past the photograph into their sketchbook.  I'll then have them reflect via bell ringer on what they want to accomplish during the week on the project, what they might be wanting to change, what they are having a hard time on, etc.

We are currently onto our next unit, which is 2-D media, focusing on drawing.  In an effort to cut down on the notes I had students take last year in their note packets, I'm trying to transfer a lot of these notes into class activities in the sketchbook.  The first one we've done is this value page.  Students had to create a value scale, a shaded cube, and write the name and definition for each of the four shading techniques (blending, hatching, cross-hatching, and stippling).  What's great about this being in the sketchbook is that it's less paper I have to copy and waste and it's always in their sketchbook as a reminder of what value is for homework sketch assignments.

I've gone ahead and done the next classroom activity in my sketchbook...the students have not done this yet.  Our current project, which we are officially starting Monday, is going to be self-portraits done on a grid system using words as value (micography)...hence the value practice.  Our next project will be to practice doing observational drawings using the art mannequins.  Last year, I had students to their art mannequin drawing using only pencil or Sharpie, however this year I want to be more flexible.  Therefore, I will be having the students create a "Drawing Media" page in their sketchbook.  They will have to create a simple value scale, draw a variety of lines, label each medium, and make some notes (i.e. Do you like the medium? Which is your least favorite and most favorite and why?  Do you think a certain type of drawing medium is better for one type of drawing than another? etc.)

And finally, here are some artist bell ringer pages that we have completed.  I have decided that I am going to do a different artist every other week so that I can use bell ringers to review other material.    We already did Piet Mondrian, and next came Joan Miro.  I have decided on this set "schedule" for these weekly artist bell ringers:

Day 1: Students copy down some brief biographical information and paste a picture of the artist and one artwork by the artist into their sketchbook.

Day 2: Students paste two more artworks with the credit lines.

Day 3: Students paste one artwork with credit line and then must make a list of characteristics that they observe about that artist's work.  I always go over this to make sure we are on the same page once everyone has it completed.

Day 4: Students receive two paintings to paste into their books.  They must tell me which one is by the artist and two reasons why.

Day 5:  I ask students to do a quick, 2-minute sketch of design that is inspired by the artist.

This week's artist is Chuck Close.  We have one more day of bell ringers for him.  I choose to do Chuck Close right before we do our self-portrait project because we are going to be using a grid system to do our initial drawing.

The students are slowly getting better and better with these bell ringers.  I'm finding that I am teaching them note-taking and organizational skills at the same time.  I know a lot of these students must take notes on their own in other classes, but I am unsure if they actually know the proper way to keep an organized note page or if they just aren't connecting that knowledge from other areas to what I am doing with these bell ringers in art.  Either way, I hope by the end of the year, each student will be able to have nice, neat, concise note pages for each artist!

Studio Art: Unit 2 Begins...2-D Media

My first unit lasted about as long as I had hoped it would, and on Friday we began our second unit.  Our second unit is all about 2-D media...drawing, painting and printmaking.  I am also combining art criticism with this unit.  The textbook I am using has art criticism as its own unit, but there is no way I'm going to spend an entire week or two just on art criticism...that's something we can work on over the school year to perfect, a little at a time.  The students have also been antsy to get started on a "real" art project.

The cover of my unit 2 note packet...stay tuned to the SmARTteacher website...my unit is posted there now!

On Friday, I introduced/reviewed value and the four common shading techniques with the students: hatching, cross-hatching, stippling and blending.  They had to practice in their notes and then for their second sketchbook assignment, I asked them to set up a 3-object still life at home, shine a light on it, and draw it using value.

This is the generic sketchbook assignment rubric I have created for the weekly sketch assignments.  Each student has now seen this and will have their Friday sketch assignments graded according to this rubric every Monday.  So far, I think I'm happy with it...but we'll see if I feel like I need to make any changes to it.

On Monday, we started off the unit by discussing the different drawing media that can be used (oil pastels, pencil, chalk, etc.) and we spoke briefly about art styles.  Again, this is something we will work on throughout the school year, but the projects we do for this unit are all going to fall under the realm of pop art, so I want students to have a basic knowledge of what pop art is compared to the other styles of art.

In the back of my packet, I put colored copies of these paintings.  We cut them out, and then one at a time, we talked about which style they thought these fell under.  Quite a few students new some of the more popular artworks here and knew the styles (although when I had them in 6th grade, they had to do a group research project on an artist...I found it quite wonderful that a lot of them retained the information!).

 Now, as I graded those sketch assignments on Monday, I realized that the students (a) didn't have a good idea of what I meant by set up a still life and (b) didn't know how to properly utilize value with observation skills.  Thus the reason why it's important to give sketch assignments as homework (a good way to assess prior knowledge!).  I threw out my original plans for the next few days and pulled out the mannequins I bought for the elementary room with past SmARTteacher winnings.  I set them up in the middle of the tables, let the students arrange them, turned the lights off and put a spot light on the figures.  I gave a brief demonstration of how they should quickly do a contour drawing of the figures and then demonstrated the proper way to observe value.

The students REALLY enjoyed doing this and asked if we could work on it again tomorrow...heck yes!

I found that they did okay observing the shadows and high lights, but they had a tendency to just give a dark and light value.  I went around to each student and asked if I could show them on their drawing how I wanted them to exaggerate what they saw and make more of a range of values, from black to white and everything in between.  Once they saw how much their drawings started to pop, they were really excited!

Tomorrow, I am going to give each student a large piece of drawing paper and an ebony pencil.  I envision having them do multiple drawings of the figures on one sheet of paper...a super huge close up of a figure that goes from top of the page to bottom...smaller figures that go off the page, etc.  Just a montage of mannequins!

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Once we move on from practicing the value (probably by Thursday or Friday this week), students will have to bring in a wrapped food item, such as a candy bar, and do a large, up-close black and white drawing of it.
As we move onto the painting aspect, students will learn about how paint is made and we will then use our candy bars and acrylic paint to do a pop art painting...I'm thinking more in the style of Claes Oldenburg.  I want them to incorporate some acrylic mediums that I bought to give their paintings texture.  This project will be a way for students to utilize the elements and principles to create an interesting composition.

For the final 2-D project, printmaking, students will do some reduction printing ala Andy Warhol.   I did this with my printmaking class when I did my student teaching, and I have my example hanging on a bulletin board in the high school art room that students were admiring and mentioned they wanted to do (I hung up some of my artwork from the past, both high school and college, so that students could see what I am capable of).  So, I'll have students bring in a popular object to turn into a multi-colored print.

This unit will also introduce art criticism to the students.  That was originally what I was going to start with, but I was tired of doing the note thing, and so were the students.  I prefer getting the boring stuff out of the way in the beginning, but I need to remember that the students don't think that way!